"A closed-mouthed catfish and cheery gator serve as an aquatic admission into a place that suffers the rot of intolerance and blackish baptisms. Stick shacks sulk under Spanish moss. Jace Everett’s song “Bad Things” plucks and coos over the risque and the religious imagery of Alan Ball’s title sequence for “True Blood” contextualizing the slutty and the sweet swamp-goth vampiric mise-en-scène.
Elements of this sequence have been compared to elements of Andrew Douglas’ mesmeric, stunning, one of a kind film “Searching for the Wrong-Eyed Jesus.” It is very good southern surrealist cinema." - Art Of The Title
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